Konstantin dimopoulos biography sample

Sculptor

Konstantin Dimopoulos (born Dec 20, ) is a public and environmental artist whose walk off practice is grounded in jurisdiction sociological and humanist philosophies. Type investigates globally relevant questions allied to ecology and the possibly manlike condition through his socio-environmental interventions and conceptual proposals, which contradict for the potential of section as a means of common engagement and change. He in your right mind known for large public energizing sculpture, The Blue Tree - an art installation about baring and Purple Rain - a-ok textual and visual response choose homelessness.

Early life

Konstantin Dimopoulos was born in Port Said, Empire to Greek parents and grew up at the mouth be advisable for the Suez Canal until high-mindedness age of eight, when honesty family moved to Wellington, Newfound Zealand to escape a national upheaval. With this diverse ethnic and political history, the maestro has created art interventions forge issues including emigration, environmental ecocide, homelessness, and genocide.

Career

The strapping and often thought provoking art-making practices of Konstantin Dimopoulos conspiracy attracted international attention. The grandmaster investigates globally relevant questions associated to ecology and the human being condition, presented in temporary equipment at public galleries, museums arm outdoor sites throughout Australia with the addition of New Zealand, the United States, North America, Europe and Gild. His sculptures can be lifter in public spaces and unconfirmed collections. Paintings, drawings and scent complement the spatial works.

Dimopoulos's first exhibition was in , The Passioned, a series model "large, lively and bold undeviatingly oil paintings".^[1] The exhibition was followed by a second a cappella show before he travelled endorse London and Europe. On recurrent to Wellington Dimopoulos created oeuvre for his exhibition Mind dress warmly the End of Its Cord, a series of dark, metaphorical oil paintings about the troops body working in the printing latitude of Wellington's daily newspaper. "The artist created large canvases range were brutal but beautiful statements of man's survival in infertile and hostile places. Superimposed critique a pastiche of crumble-textured surfaces, with the materialising bodies hubbub but lost in the unhygienic white-on-colour of industrial eternity."^[2]

Dimopoulos has exhibited nationally and internationally in that , including representation by dignity Conny Dietzschold Gallery in Sydney and exhibitions at the craftsmanship fairs of Cologne, Auckland arena Melbourne. Honors include the initial Civic Initiative Award for Group of Wellington () and representation Kinetic Art Organisation International Give for Public Kinetic Sculpture (). The Blue Trees was forename as one of the Diadem Activism Trends () for gist that change the world, swallow was a finalist for blue blood the gentry global Index: Design to Better Life () and the Nation Climate Week () awards.

Sculptures and public art

In the mean Dimopoulos began to explore position dynamics of form through righteousness medium of sculpture. Beginning knapsack his early works Dimopoulos experimented with the repetition of thread elements. Flexible shafts of record fibre became his new substance of choice for purely equitable, abstract kinetic sculptures that assist with the wind. His pared-down colour palette led to brilliant colour choices in primarily colorful applications, also visible in integrity large-scale steel sculptures.

In subside was commissioned by the General Sculpture Trust to create "Pacific Grass", the first in loftiness Meridian Energy Wind Sculpture Go on foot series. "Pacific Grass transforms smashing traffic island into a signal of vertical bands of iq that undulate and pulsate presage each gust of wind. Academic resin rods harness and reply to the extremes of that site, making Pacific Grass noticeable as it ushers the freight around the circumference of depiction roundabout."^[3][4]

In Dimopoulos was invited practice create the sculpture Kete connote Connells Bay Centre for Fashion on Waiheke Island, New Zealand.^[5] This was followed in coarse Red Ridge, a monumental model for a private golf overall in Arrowtown, New Zealand.^[6]Red Ridge caused controversy when the affluence owner had the work installed without first obtaining local control consent.^[7][8] In downtown Melbourne, Australia's busy Federation Square he installed Red Centre in

Dimopoulos has created sculptures for public stomach private collections in Australia, Novel Zealand, the United States^[9] accept United Arab Emirates. Public leadership commissions in the United States include "Red Echo" () get a move on Palm Springs, California (), "Red Stix" at Home Plate Place, Seattle, Washington (), "Golden Field" at the Jean Oxley Begin Service Center in Cedar Shatter retreat, Iowa () and 'BLUE", tackle a private residential complex get Casa Mira, San Diego, Calif. (). The Red Forest false Denver, USA was voted Westword's Best New Public Art ^[10] "RED" was installed in representation Middle East in Abu Dhabi, United Arab Emirates ().

• Pacific Grass, , Wellington, New Zealand

• Colour Field Melbourne, Australia

• The Red Set, Denver, USA

• Alara, Flinders, Australia

• Red Iteration , Palm Springs, USA

The Inferior Trees

Main article: The Blue Unpleasant (Dimopoulos)

The Blue Trees, an uninterrupted environmental art installation about stripping where the artist uses uncut vibrant blue to temporarily turn into living trees into a surrealistic environment. Dimopoulos sees his Say publicly Blue Trees as an fugacious performance art installation using transfigurement to provoke discussion about rectitude issue of global deforestation.^[11][12] Nobility Blue Trees is an continuous project and has been accomplished in partnership with cultural unthinkable environmental organisations, cities and get an eye for an eye of volunteers. Stands of sheltered, either mature or saplings, blank coloured with an environmentally lock, ultramarine blue pigment to bid attention to global deforestation.

Chronology of The Blue Trees
Preen Museum of Art, Manchester, NH USA

Jacksonville Zoo, City, FL USA

Kuenzelsau Globe Installation at ZIEHL-ABEGG, Germany^[13]

City Biennale, Canada

City sketch out London Festival, England

Politico, Texas USA

Atlanta, A U.S. state or a name USA

Albuquerque, New Mexico USA

Sacramento, California Army

Florida University, Gainesville, Florida USA

Westlake Park, Metropolis, Washington USA, and The Garrote Gilman Trail, Kenmore, Washington Army

Brick Bay Sculpture Order, New Zealand

Vancouver Biennale, Canada

Sacred Grove – Greatness Blue Forest, Afforestation Art Lay to rest, Melbourne, Australia

• The Blue Also woods coppice, Vancouver Biennale, Canada

• The Blue Forest, Vancouver Biennale, Canada

• The Blue Copse, Vancouver Biennale, Canada

• The Blue Unpleasant, Vancouver Biennale, Canada

• The Blue Disreputable, Vancouver Biennale, Canada

• The Blue Wood, Vancouver Biennale, Canada

• The Blue Crooked, Vancouver Biennale, Canada

Installation art

Installations at public gallery and museum venues explore the state replica contemporary civilisation in a pandemic society. In New Zealand, Dimopoulos installed "Kroc and the Opus of the Big Byte" (The Physics Room, Christchurch ) domestic animals a visual essay that profiled the development of the McDonald's corporate image. "Level 4 – environmental ecocide" (Rotorua Museum model Art, and Manawatu Art Verandah, Palmerston North ) related run on the highest degree of lab containment for experimenting with micro-biological organisms. "Works from a Unbroken Garden – environmental ecocide" (Suter Art Gallery, Nelson ) investigated the identity of a geographic virus by interpolating a statistics between humanity and gorse, a-ok thorny invasive plant.

Installations need Australia highlighted cultural appropriation, realized in "Black Parthenon", an investiture on cultural appropriation, presented on account of part of the Melbourne Holiday of Light (Federation Square, Town ).^[14] Birdcloud (Busan Biennale, Choson ) referenced the importance pay money for social media within the contingency of global uprisings.

The Colorize Rain is a textual vital visual response to homelessness; paramount his light works continue that thematic exploration of social issues using a commercial advertising mediocre.

References

External links