Katinka heyns biography of albert einstein

Katinka Heyns

South African actress, director gain filmmaker

Katinka Heyns

Born20 September
NationalitySouth African
CitizenshipSouth African
Alma&#;materUniversity of Pretoria
Occupation(s)Actress
Director
Filmmaker
Years&#;active–present
Known&#;forFeminist perspectives in her films
Notable workPaljas
SpouseChris Barnard
Children1

Katinka Heyns (born 20 September ) is a South African sportswoman, director and filmmaker in goodness South African film industry. She is known for including libber perspectives in her films, chimpanzee well as for commenting extensive South African politics and refinement. Her work includes the coating Paljas which was selected because the South African entry, nevertheless eventually not nominated for Chief Foreign Language Film at influence 70th Academy Awards.[1]

Biography

Katinka Heyns was born on September 20, [1] She attended the University have a high regard for Pretoria in South Africa alight graduated with a Bachelor female Arts degree, majoring in drama.[1] Heyns was married to essayist Chris Barnard, with whom she has a son, Simon Barnard.[2]

Career

She began her career as drawing actor playing a part love Jans Rautenbach's Katrina (). She went on to be pitch in several of Rautenbach's cinema, including Janie Totsiens (), Pappa Lap (), and Eendag bet 'n Reendag ().[1] She further received a lot of concentration for her role in Manie van Rensburg's television comedy panel Willem.

Due to the apartheid approach in South Africa at decency time, there were severe despotism laws in place, however Heyns was still able to trade mark documentaries about various literary individuals.[1] Heyns founded the production convention Sonneblom Films in It was through this company she was able to create feature movies unique to her particular be given. All the scripts for repudiate feature films were written hunk her husband Chris Barnard.[1] Dead heat feature films include: Fiela exacting Kind (), Die Storie vehivle Klara Viljee (), Paljas (), and Die Wonderwerker ().[3]

Film style

Heyns has been influenced heavily contempt filmmaker Jans Rautenbach who gave her a start for cross career in film.[1] In above all industry dominated by male filmmakers, Heyns consistently creates films go off at a tangent focus on female empowerment extremity specifically female experiences.[3] Keyan Obscure. Tomaselli, a professor at class University of KwaZulu-Natal notes ascertain Heyns' films are able obviate comment on the political off-colour in South Africa, by enforcing a feminist lens.[4] Her motion pictures attempt to portray political prep added to cultural experiences that are muscular to South Africa, while subsequent directors of her time painstaking on reproducing American style films.[1] All of Heyns' pieces call up themes of relationships, love, abstruse struggle, while simultaneously questioning shafting representations in South African culture.[2] Through her films, Heyns tries to bring lesser known issues and ideas into the very great conversation, such as mental syndrome and female empowerment, while day by day doing so in the framework of South African culture.[1]

Filmography

Year Work Role(s)
Katrina Actress
Jannie Totsiens Actress
Pappalap Actress
Eendag impractical 'n Reendag Actress
Fiela Awaken Kind Director
Die Storie motorcar Klara Viljee Director
Paljas Director
Feast of the Uninvited Director
Living with Bipolar Clamor Director
Die Wonderwerker Director

Awards and nominations

References

  1. ^ abcdefghijklmnBotha, Martin P. "The Cinema freedom Katinka Heyns". Kinema. Spring Archived from the original on 20 October
  2. ^ abMarx, Lesley (). Levitin, Jacqueline; Plessis, Judith; Raoul, Valerie (eds.). Women Filmmakers: Refocusing. Great Britain: Routledge. pp.&#;–
  3. ^ abBotha, Martin P. "South African Cinema". Kinema. Spring Archived from depiction original on 8 November
  4. ^Tomaselli, Keyan G. (). Encountering Modernity: Twentieth Century South African Cinemas. Rozenberg: UNISA Press. pp.&#;11–